Main Task: Opening Sequence 'The Witness'

Final Task: Opening Sequence 'The Witness'

Preliminary Task 'Gone Fishin'

Preliminart Task: Continuity Short 'Gone Fishin'

Thursday, 7 October 2010

Continuity Sequence from a Film (BLK Homework)

Zoolander (2001) - Walk Off Scene - Analysis to 2:33

~In this short film sequence of the film Zoolander we see multiple continuity techniques used, for example the film starts with a short montage of an 'underground' catwalk arena to set the scene. Multiple cutaways are done to show the main characters in the scene and what they are doing. Then when David Bowie is explaining the rules of the 'Walk Off!' there is a shot-reverse-shot between the two OTS shots of both Hansel (Owen Wilson) and Zoolander (Ben Stiller) this is done to show the importance of this event to the two characters by showing them staring each other down it shows that both characters want to win.

As Zoolander begins his run down the catwalk he unzips his coat and throws his coat then throws it into the audience, there is then a Mid Shot of a man catching the jacket, this is a MOA (match on action) as well as a cut away as it shows the jackets continued motion and where it has been thrown.

As the scene continues there is some cross cutting between the two actors walking down the runaway and shows two shots parallel to each other to show how Zoolander and Hansel are equally matched at what they do. This also speeds up the sequence whilst making the scene appear believable. These parallel images continue to play showing the 'Walk Off!' appear to become more intense and challenging. During this the shots vary in distance to make the imagery of the scene more entertaining and precise. When the two models return to their designated corners there is a short montage of them preparing for the second round, this is shown through cross cutting between the two characters. As the second part of the scene begins the two characters are seen break dancing, there are multiple MOA's as the characters spin round on the ground.

The parallel shots return and MOA's are again used when the two jump up from a handstand and flick their heads back. Then there is another break in the action as the characters return to their corners once more. The director then repeats the technique of cross cutting between the two characters to show that what they are doing is happening simultaneously.

The techniques used in the beginning part of this scene are used to make the scene flow better and make it appear as though everything is happening within quick succesion. The use of MOA's is to make the scene appear believable and make the almost dance-move-like walks appear real.

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